The Greatest Love of All (Song)

From Wikipedia, the free encyclopedia

“The Greatest Love of All” is a song written by Michael Masser, who composed the music, and Linda Creed, who wrote the lyrics. It was originally recorded in 1977 by George Benson, who made the song a substantial hit, peaking at number two on the US Hot Soul Singles chart that year, the first R&B chart top-ten hit for Arista Records. The song was written and recorded to be the main theme of the 1977 film The Greatest, a biopic of the boxer Muhammad Ali, and is performed during the opening credits.

Benson’s original recording was released in 1977 in the United States, Japan, France, Germany, New Zealand, Australia, Italy, Brazil, Netherlands, the United Kingdom and Thailand, on an extended play (EP). He officially recorded the song four times; in addition to the studio single, Benson also recorded three live versions, the last time in a duet with Luciano Pavarotti in 2001. Since 1977, a great number of artists have recorded this song, including Shirley Bassey, Oleta Adams, Alexandra Burke, Deborah Cox, Ferrante & Teicher and Kevin Rowland.

Eight years after Benson’s original recording, the song became even more well known when Whitney Houston‘s 1985 cover (with the slightly amended title “Greatest Love of All”) eventually topped the charts, peaking at number one in the United States, Australia, Canada and on the US R&B chart in early 1986.

Background and composition

The song’s music was composed by Michael Masser, and its lyrics were written by Linda Creed, in 1976 for The Greatest. According to the Los Angeles Times, after he had been asked to write the song for the movie, Masser felt drawn to Jerusalem, even though he was not a religious man, “to get the feelings—not just my own.” Masser also told the Los Angeles Times his special feelings about Ali:

Here was a man who wanted to change his name and religion. That’s all. Ali hadn’t believed in the war in Vietnam and had refused to fight in it. He won that battle through the legal system. Still, he lost everything—including his title. But Ali retained the most important thing of all—his dignity.

In an interview with the Ocala Star-Banner in 1988, similarly, Masser said that “He (Ali) represented to me a tremendous athlete who suffered prejudice from the white man’s world. He didn’t give up what he believed even though he lost his title.” Masser also told the Los Angeles Times that the song had another personal meaning for him to give up a legal career to pursue his interest in music, adding, “People thought I was crazy. I had to starve. Had no money. Marriage broke up. But I had to do what I’d wanted to do since I was 6… write music.” Upon his return from Jerusalem, he contracted with lyricist Creed to work on the song and wrote it right from the heart, with Creed drawing inspiration from her family. Then Masser had George Benson perform the song for the soundtrack. He said, “The record came out and the song became an underground theme for black people.”

Benson recorded “The Greatest Love of All” for the soundtrack album of The Greatest. The song was released as a single in the same year and was a substantial hit, reaching number 2 on the Billboard R&B chart, the first R&B Top Ten hit for Arista Records, and ended the year at position 33. The single also reached positions number 3 on the Cash Box Top 100 R&B and number 4 on the Record World R&B Singles. In other charts, the single was between positions number 22 and number 29 in the US, number 27 in the UK, and number 25 and 42 in Canada. “The Greatest Love of All” is one of George Benson’s most successful hits, and for this reason was included in two of his many collections, The Greatest Hits of All and The Very Best of George Benson: The Greatest Hits of All.

Charts

Weekly charts

Year-end charts

Whitney Houston version

The song was further popularized by American singer Whitney Houston under the title “Greatest Love of All“, without the definite article “The”. The song was recorded in December 1984 for her 1985 self-titled debut studio album. The song became a major hit, topping the charts in Australia, Canada and the US, while reaching the top 20 in most countries, including Italy, Sweden and the UK. It remains her third biggest US hit, after “I Will Always Love You” and “I Wanna Dance with Somebody (Who Loves Me)“. The three songs, in order of their former popularity, re-entered the Billboard Hot 100 chart, after Houston’s death in 2012, debuting the same week at numbers 7, 35 and 41, respectively, giving Houston three posthumous chart hits.

Clive Davis, founder of Houston’s label Arista Records, was initially against Houston recording the song for her debut studio album, Whitney Houston, but he eventually gave in after persuasion from Houston and Masser. It was released as the B-side to the single “You Give Good Love“, a previous Top 5 hit by Houston. The song, eventually released as a single in its own right on March 18, 1986, was the seventh release from Houston’s debut album, and spent three weeks at No. 1 on the Billboard Hot 100 chart in May of that year. The single cemented Houston’s status as a global pop star.

Her live performance in 1990 in the 15th anniversary of Arista Records concert in Radio City Music Hall was included in the 25th anniversary deluxe edition of Whitney Houston and the 2014 CD/DVD release, Whitney Houston Live: Her Greatest Performances.

Background

Masser said, “When I first met Whitney in 1981–82, she was about 19 or 20 and unknown. I went into Sweetwater’s, and I thought I must be totally out of it—I said, ‘I must be going crazy, I think I’m hearing one of my songs.’ She was singing ‘The Greatest Love of All’ just as I walked in, and that meant something to me. Two and a half years later when I was doing Teddy Pendergrass there was a duet and everybody wanted me to use this or that known person. Only because I had heard Whitney singing ‘The Greatest Love of All’. I chose her.”

Music video

Houston’s music video was filmed at Harlem‘s Apollo Theater in New York City. In the video, she is a successful singer who is about to perform in front of an audience. She reminisces about the time when she was a child performing in a talent competition and receiving encouragement from her mother. The video features Houston’s mother Cissy Houston playing herself, supporting a young Houston, as well as hugging present Houston at the end of the video. It was directed by Peter Israelson, filmed with James Contner as DP and Steadicam operator Robin Buerki shooting 35mm film. In February 2020, the music video was restored in 4K.

Reception

Critical reception

Many critics called the song the centerpiece of Houston’s debut album. Stephen Holden of The New York Times wrote that “Houston sings it with a forceful directness that gives its message of self-worth an astounding resonance and conviction” and called the song a compelling assertion of spiritual devotion, black pride, and family loyalty, all at once. Don Shewey of Rolling Stone wrote that as the song builds, Houston “slowly pours on the soul, slips in some churchy phrasing, holds notes a little longer and shows off her glorious voice.”

Chart performance

Benson’s 1977 version was an R&B hit, reaching number 2 on the R&B chart. It was a moderate pop hit, making the top 40 on the Billboard Hot 100. Houston’s version reached number one on the Hot 100 chart for three weeks in 1986. The single was the fourth hit (and third number 1) from her debut album, she became the first female artist to score three number ones from one album.

To date, this song was her second longest stay atop this chart, behind 1992’s “I Will Always Love You“. The song also reached number one on both component charts, the Hot 100 Singles Sales and the Hot 100 Airplay, her second consecutive release to do so, and stayed for 14 weeks inside the top 40. On other Billboard charts, Houston also performed well, reaching number three on the R&B chart. The song topped the adult contemporary chart for five weeks, Houston’s longest stay at the top of that chart at the time. The song ranked No. 11 on Billboard‘s year end pop singles chart.

After her death, the single returned to the Billboard Hot 100, debuting at number 41.

Usage in media

Houston’s version of the song was featured in the first season of RuPaul’s Drag Race, being performed by contestants Akashia and Shannel in a “lipsync for your life”.

Accolades

Houston won the American Music Award for Favorite Soul/R&B Video Single, and was nominated for a Grammy Award for Record of the Year and a Soul Train Music Award for Single of the Year.

Track listings

Charts

Weekly charts

Year-end charts

Certifications

Other versions

A number of other artists have covered this song, including :

• Angelo Torres

• Dave Moffatt 

• Shirley Bassey,

• Oleta Adams,

• Alexandra Burke,

• Deborah Cox,

• Lea Salonga,

• Ferrante & Teicher,

• Kevin Rowland 

• Celine Dion

• and Jane Olivor.

On May 29, 2001, the Italian operatic tenor Luciano Pavarotti performed the concert “Pavarotti & Friends” in his hometown of Modena, Italy. Intended to raise money for refugees from Afghanistan under the United Nations High Commissioner for Refugees, this concert was called “Pavarotti & Friends for Afghanistan” and featured various guest artists, one of them being his friend George Benson. The song performed in duet by the two was Benson’s song “The Greatest Love of All”, sung in parts by Benson in English and elsewhere by Pavarotti in Italian. This complete concert “Pavarotti & Friends for Afghanistan” raised $3.3 million for its cause, and was recorded and released in CD in 2001. The song was credited with the original title “The Greatest Love of All” recorded by Benson.

Copyright infringement lawsuit and settlement

In April 1987, Gordon Lightfoot filed a lawsuit against Michael Masser, alleging that Masser’s song “The Greatest Love of All” stole twenty-four bars from Lightfoot’s 1970 hit “If You Could Read My Mind“. According to Maclean’s, Lightfoot commented, “It really rubbed me the wrong way. I don’t want the present-day generation to think that I stole my song from him.” Lightfoot has stated that he dropped the suit when he felt it was having a negative effect on Houston, as the suit was about Masser and not her. Ultimately the case was settled out of court and Masser issued a public apology.

The Greatest (1977 Film)

The Greatest is a 1977 biographical sports film about the life of boxer Muhammad Ali, in which Ali plays himself. It was directed by Tom Gries. The film follows Ali’s life from the 1960 Summer Olympics to his regaining the heavyweight crown from George Foreman in their famous “Rumble in the Jungle” fight in 1974. The film consists largely of archival footage of Ali’s boxing matches used in the screenplay.

The film is based on the book The Greatest: My Own Story written by Muhammad Ali and Richard Durham and edited by Toni Morrison.

The song “The Greatest Love of All” was written for this film by Michael Masser (music) and Linda Creed (lyrics), and sung by George Benson; it was later covered and made a Billboard Hot 100 #1 single by Whitney Houston.

Plot

The story of Cassius Clay, who became heavyweight champion as Muhammad Ali. Tracing his rise from his Olympic gold medal as a light-heavyweight at Rome in 1960, his conversion to Islam, his refusal to serve in the Vietnam war, to his return to the ring.

Cast

• Muhammad Ali as Himself
  • Chip McAllister as Young Cassius Clay / Muhammad Ali
• Ernest Borgnine as Angelo Dundee
• John Marley as Dr. Ferdie Pacheco
• Lloyd Haynes as Jabir Herbert Muhammad
• Robert Duvall as Bill McDonald
• David Huddleston as Cruikshank
• Ben Johnson as Hollis
• James Earl Jones as Malcolm X
• Dina Merrill as “Velvet” Green
• Roger E. Mosley as Sonny Liston
• Paul Winfield as Mr. Eskridge
• Annazette Chase as Belinda Boyd Ali
• Mira Waters as Ruby Sanderson
• Drew Bundini Brown as Himself
• Malachi Throne as Payton Jory
• Richard Venture as Colonel Cedrich
• Arthur Adams as Cassius Marcellus Clay Sr.
• Stack Pierce as Rahaman
• Paul Mantee as Carrara
• Skip Homeier as Major Canlan
• David Clennon as Captain
• Nai Bonet as Suzie Gomez

Rahaman Ali, Howard Bingham, Harold Conrad, Don Dunphy, Lloyd Wells, Pat Patterson, and Gene Kilroy appear as themselves.

There are many uncredited roles in the film including some major characters, such as Ruby Sanderson and his girlfriend, Belinda Board, who became his wife, and Herbert Mohammed, son of Elijah Muhammad, who was Ali’s manager at one point.

Lonette McKee was originally going to portray the role played by Annazette Chase.

Soundtrack

All music composed and produced by Michael Masser, and arranged by Masser and Lee Holdridge.

Side 1

xxxx

xxx

xxx

Side 2

xxx

xxx

xxx

xxx

xxx

Production

The film was made with finance from Britain’s EMI Films.

Reception

Vincent Canby of The New York Times called the film “a charming curio of a sort Hollywood doesn’t seem to make much anymore.” Kevin Thomas of the Los Angeles Times called the film “potent pop biography, lively and entertaining, in which the irrepressible world’s heavyweight boxing champion projects exactly the image he wants us to have.” Gene Siskel of the Chicago Tribune gave the film 2.5 stars out of 4 and wrote, “As a diverting entertainment, ‘The Greatest’ is more than satisfactory.” Arthur D. Murphy of Variety wrote that Ali brought the film “an authority and a presence that lift John Marshall’s production above some of the limitations inherent in any film bio.” David Badder of The Monthly Film Bulletin stated, “The Greatest delivers exactly what one would expect: a hagiographical account of Ali’s best-known exploits, giving full rein to the inimitable, volatile personality but in the process applying liberal coats of whitewash.”

See also

The Greatest Love of All may also refer to:

• The Greatest Love of All (1924 film), an American drama film directed by George Beban
• The Greatest Love of All (2006 film), English title of the Brazilian romantic drama film O Maior Amor do Mundo
• The Greatest Love of All (TV series), a Singaporean Chinese drama series

Comments